Six years ago I spent a week painting on Brier Island. It looks like I’m going to have that chance again in August and I am so excited about it. Here is the post from that original trip: Continue reading →
I’m looking forward to my 7th year of participation at Paint the Town in Annapolis Royal on August 20 & 21, 2016. This annual weekend event brings 80 artists from all over Nova Scotia to join in an outdoor painting race that will raise thousands for the arts council and artists.
I say ‘race’ because artists have about 6 hours each day to paint as many auction-worthy pieces as possible. The pressure is on and it’s a great exercise, if exhausting. It’s a time for painters to see what each other is doing. And it’s also quite a bargain for the collectors, with many paintings selling for less than $100.
I am posting some of my favorite paintings that I’ve painting at the event over the years.
I spend most of my time at the Historic Gardens. The flowers are gorgeous, there is shade and the park-like setting helps me to focus and remain calm. 😉
Throughout the day, ‘runners’ rush the work to the gallery at The Academyat 590 George Street. Silent bids last all day with the auction ending each day at 5pm. Buyers have the option of purchasing paintings at full price before the auction ends.
I’m excited to be heading back to this painter’s paradise tomorrow. It is an artist retreat on an island in Canada’s Bay of Fundy. You know. The place with the highest tides in the world.
The following post is from 2012 on my first trip to the island with a group of artists.
Eventually I painted over this canvas because I just couldn’t capture what I was seeing. As always, it was a thrill to sit on the ocean floor knowing that in a few hours, it would be flooded by the incoming tide.
A wonderful experience sitting in unfurling fern with my paint.
Boardwalks throughout the small island ensure that noone gets lost and helps to protect the vegetation.
When we arrived at Long Island in the Bay of Fundy for our Artist Retreat, it was an overcast and showery afternoon. The mist and fog shrouded this huge rock of an island that we could see from our cabin. It looked ancient and mysterious as it disappeared and reappeared in the mist and I was anxious to see it at sea level when the low tide allowed it.
Not only do the Historic Gardens in Annapolis Royalrecreate gardens from the past, they also give us a glimpse into the home lives of Acadians who lived here before the British arrived.
The first occupiers in this part of the world were the French in the 1600’s. Their settlers were innovative farmers who reclaimed salt marshland and transformed it into fertile growing lands. Their relationships with First Nation groups was more harmonious than the British would be. Eventually the British – French wars meant that Acadians were thrown off their lands by the British and shipped to various outposts including Louisiana where ‘Acadian’ became ‘Cajun’.
Many families were hidden by the Mi’kmaq and refused to leave their Nova Scotian homeland. Today there are still small communities of Acadians in Nova Scotia who work hard to keep their language and culture alive.
Here in the gardens, the tiny thatched house with hand-made glass windows is a visual reminder of some of that history.
Last week in the gardens I sat in front of the thatch-roofed cabin and sketched it, later adding watercolour paint at home.
I love the Victorian Garden in the Annapolis Royal Historic Gardens with the sunny, happy flowers such as the zinnias. This garden Shangri-La doesn’t know that the rest of us have experienced killing frost in our beds.
I can’t resist setting up my paints near the salvias and zinnias during Paint the Town in August. At first glance, zinnias look so uncomplicated, but the photos I took yesterday show a tiny garden of lily-looking florets sprouting out of the middle of the flower.
Each bloom is a universe of colour.
I was travelling light today and brought just a sketchbook and a fat marker. I had no chair or support for my sketchbook and stood while drawing. It was a bit awkward, but gave me a good vantage point for eye-level flowers.
Later, at home, I added watercolour to my drawings.
Painting or drawing a flower helps me to get to know its uniqueness better. I learn more about the shape, the veins in the leaves, the petal details, the way the flower leans.
I enjoy capturing the movement and the joy of these outrageously colourful and happy flowers. I painted these Zinnias a month ago during Paint the Town. All were auctioned and are blooming on walls somewhere.
About 30 years ago some clever garden and community development innovators in Annapolis Royal, Nova Scotia had the brilliant idea to recreate the historical periods of the town with a 17 acre garden.
This August, like the past 5 summers, I have painted in the Historic Gardensduring Paint the Town. This fall I finally bought a membership…only cost me $35 a year…and I’ve been visiting my favorite flowers when I go to Annapolis. It’s a 25 minute scenic drive from my home in Bear River.
The gardens in Annapolis are exquisite…from wild and generous, to deliberate and precise. I love the Victorian Garden with its sunny, happy flowers and it’s outrageously oversized exotic-looking plants that look like they belong in an antique glassed-in greenhouse in England.
Incredibly, all the flowers are annuals and this is what the gardens look like before spring planting.
What a difference 5 months makes!
In the days ahead, I’ll show you some drawings and paintings I’ve created lately at the Gardens.
I’m painting a series of florals for an upcoming show with fellow painter Susan Geddes…also in Annapolis Royal, so painting and drawing at the gardens is very inspiring right now and is my homework!
This little painting of mine was auctioned at Paint the Town this summer.